Abstract
This research monitors the diversity of poetic images in the poem of praise in the two collections of Ibn al-Jiyab and Lisan al-Din Ibn al-Khatib, describing it as a comparative study that attracted, through its artistic context and its various connotations related to sensory suggestions, the most prominent images in their poetry, between kinetic, color, scenic, and luminous images.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.